The Killing – “Stonewalled”
I have a rather daring claim to make in my support for The Killing–do you think, perhaps, that the identity of Rosie’s murderer is sort of beside the point? Yes, I know it is being marketed as a whodunnit (search online in Rosie’s room for clues!), but I am not sure that I care about who is the killer. I can see why this claim should necessitate a huge critique against the program–shouldn’t they be making me care about the central plot point? But I’m too busy being fascinated by excellent acting and deliberate storytelling.
In a podcast that should be going up very soon, the Monsters crew complained quite a bit about Game of Thrones, but we spent less time complaining about The Killing. To be honest, I don’t want to complain about The Killing. Despite my theory that HBO’s recent series seem to specialize in being a whole lotta fuss about nothing much (sorry, but Boardwalk Empire was super slow, with few characters I cared about (at all) until about half way through the season), similar claims could be made about The Killing. Yet for me, while I may not quite get HBO, but I sure as heck “get” AMC.