Monsters of Television

“He is Michael Westen! There are only four of us!“

This week’s episodes of Covert Affairs (“Walter’s Walk”) and Burn Notice (“Past & Future Tense”) were both very good. Covert Affairs is still having to do legwork, fleshing out the characters and the world, but it’s doing an admirable job of that. Meanwhile Burn Notice has the luxury of being an established show, with its format and characters firmly in place and ready to go for anything.

What both shows touched on this week, however, was about something more than just how a new show develops or how an established one keeps itself fresh. This week, Covert Affairs and Burn Notice tackled the notion of spyhood in their own specific ways. Unsurprisingly, both shows dealt with the issue of spyhood from their particular vantage points: new spy and old spies. Read more »

“There’s complexity, and then there’s lying.”

Here’s a fun bit of trivia for you: Covert Affairs was the topic of the first post on this blog.  (Note how article totally gives away the ending of the pilot? Yeah, kind of killed the suspense for me.) Happily, I was correct in my general assessment of the show when the pilot was picked up by USA. The show is Burn Notice and White Collar, with obvious dashes of Alias sprinkled into the mix.

As a result, like most of USA’s programming, Covert Affairs is a solid, promising, and entertaining  show. It’s stylish, briskly paced, well-staged action sequences, and deft humor. What makes me worried is that those words also describe how I felt about White Collar at its start, and then it began a decline that led to a shoddy betrayal.

I’d really prefer that Covert Affairs not do that, but I see the potential for it to happen. Read more »

As Nick noted, USA Network is rapidly becoming the spy-procedural channel, much in the way CBS has become the cop-procedural channel. Their recent announcement of Covert Affairs (punny), a show about  CIA newbie Annie Walker (portrayed by Piper Perabo) who for some reason becomes a field operative and is dealing with the break-up with a mysterious boyfriend who happens to be of interest to her boss. (You can read the full rundown from THR here.)

But what’s more is that while CBS has replicated its procedural approach across many of its dramas, USA is hybridizing its shows to create its network identity without getting the ribbing CBS does for its CSI-cloning. Read more »