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Monday, 18 of November of 2024

Category » Review

Mad Men – “Chinese Wall”

“I’m not the solution to your problems. I’m another problem.”

Don tries to reassure the office that everything will be okay.

Dude’s preaching.

I feel like every week I talk about how we’re one step closer to the inevitable downfall of Don Draper, that we are on the brink of black-hole levels of disaster, the entirety of his social and professional network sucked into the abyss left behind by his mighty supernova. I’m chasing beams of light I think I see from the not-too-distant explosion, forecasting to you, the reader, what has to be around the corner. It just has to be.

Noel covered Mad Men the week “Waldorf Stories” aired and pointed out that things that happen to Don are typically covered in plaster, the monumental errors of his ways typically forgotten, almost sit-com style, until they boil over later if they emerge at all. Last week’s episode featured a panic the level of which we’ve never seen Don suffer in the series. He was irrational and impulsive to a destructive level. But, in the end, it was all okay, his behind covered with the loss of (what turns out to be) a precious account. Though this is an obvious part of the series, I’m starting to become jaded to the fact that we might always be on the brink of Don’s collapse. He is constantly a dying star that finds new ways to slowly burn out while finding new fuels to burn off. The loss of Lucky Strike is a new catalyst for disaster, a new reason for him to make some bad decisions, to forget why he’s trying to rise from the wreckage, and to surrender to his overwhelming self-destruction.

What a weird thing to keep us watching, waiting for the catastrophic and wondrous implosion our protagonist. With the season coming to a close, you have to feel like those beams of light can’t be travelling from too far away now, that we have to see the bang soon. And God help us if it starts from Megan.

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Parenthood – “I’m Cooler Than You Think”

“I think that deserves a consequence.”

Joel's frustration finally erupts as Julia steps over the line.

Joel does his best Angelus impression.

This is the story of boy meets girl. The boy, Mike, a forklift operator in the shoe warehouse, is tightly integrated with the “scene” in the Bay Area despite his blue collar appearance. By day, he hauls pallets of shoes but by night he is the person who makes sure to walk the velvet rope and show people stuck outside that he’s getting in easily. The girl, Sarah Braverman, a single mother trying to connect with her daughter, has a checkered past when it comes to men and suffers a bipolar sense of confidence, brimming with it at times and then watching it needlessly empty out of her at others.

This is a story of boy meets girl. But you should know up front: this will probably end in some sort of horrible disaster.

While non-Braverman men deal with the Lorelai Effect, Julia actually has an honest-to-space-baby storyline (that paints her like a thick-headed jackass) while Crosby has his baby-daddy issues and Adam has adult onset impatience when it comes to his autistic son comes to a head.

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Life Unexpected – “Criminal Incriminated”

“Really? Because I overheard you today and you sounded like a bad episode of Saved by the Bell which is redundant.”

Lux and Jones discuss a date as "friends."

Clearly, dirty old man Math told Lux cleavage was necessary for JV basketball.

This week’s episode of Life Unexpected is brought to you by Lux’s boobs.

A lot of scoop necks and lean-and-squeezes for Lux as she navigates what is, essentially, an after-school special about cheating. Last season, I noted that one of the themes to this series is taking family sit-com tropes and deconstructing them and recasting the roles to accomodate the childish guardians and the sage adolescent. What they did this week was create a story comparing cheating to the slippery slope usually reserved for drug abuse and then toss in a red-herring-as-backdoor-escape so that Lux comes out of it smelling like a rose.

Sorry if I spoiled it for you, in case you thought Lux’s new penchant for being a Cheater McCheaterson was going to be the catalyst for her Don-Draper-like downfall.

Meanwhile, a lot of ridiculous things happen to the parents, too, including a celebrity golf tournament (lots of celebrity events in Portland despite a dearth of actual celebrities), some wacky trust issues, and a loaf of pot-infused banana bread.

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No Ordinary Family – “Pilot”

As part of the new fall season coverage, we’re doing what we call audition reviews for new shows. An audition review doesn’t necessarily mean the show will enter the normal rotation, but it will provide an initial reaction to a new series. Especially in light of time shifting practices, we think this is a valuable way to read brief reviews on new series to help you decide if you want to watch the show. For those who watch it live, it’s a good way to begin a conversation about a new series. These reviews will typically be shorter than our regular reviews, and may include thoughts from more than one of our writers.

Matt’s Take

You’ve all heard the pitch before: No Ordinary Family is a live action version of The Incredibles. There are similarities to be sure, but it quickly (a little too quickly) establishes its world and characters and dives into creating its own mythology.

Through the first act I was not too impressed. For starters, the 3 minute long trailer we were given over the summer made the show come across as cheesy and boring so of course that is what I was expecting going in. The exposition flies by at supersonic speeds, introducing us to the four members of the Powell family, their problems, and crashing their plane in the Amazon River all in about 5 minutes. I understand getting all of that out of the way quick and early but it felt rushed. To top off my early discontent: interview style narration.

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Chuck – “Chuck vs The Suitcase”

“Rumor has it that you’re pregnant. Is there room in that womb for two?”

Sarah finally puts down roots by stocking the closet.

Sarah, once again, caters to the male fantasy. And that’s okay.

I toyed with the idea of forgoing the entire plot of the show in order to tie in Bronson Pinchot’s all-too-short appearance in this episode to the major threads of the series. Like that Pinchot was reprising his role as Balki and that he was a Greek spy, his cover being a rural farm boy from Mypos. That was, in fact, the last surviving member of the Ring and a major player in the Russian syndicate Chuck is trying to topple. The knowing look from him being more than just blip of a homoerotic gaze. Oh, it was going to be grand.

Instead, I’m actually going to talk about the show and how, though some things change, the quality of the threads are still the same. Like how the most interesting is still Casey and Morgan. And how Chuck and Sarah are dangerously close to becoming annoying sit-commie blandness. And how the reintroduction of Jeffster will reinstitute the Buy More as what we all feared: the unrelated comic punchline to the series.

That being said, I’m glad to see those boys back, even after their Halo:Reach escapades. Read more »


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The Venture Bros. – “Any Which Way But Zeus”

They’re like The Notebook sad.

Meh, you win some, you lose some.

“Any Which Way But Zeus” is a smattering of jokes, none of which really come together, even at the end of the episode which is often when the show salvages itself with a solid turn of the screw. Part of the problem is structural, as all the characters are kept separated from one another  but since there’s three on-going plots, none get developed to the point of providing laughs or emotions. It all falls flatter than that Zeus cardboard cutout. Read more »


Rubicon – “In Whom We Trust”

Could it be I’m paranoid?”

I don’t have a whole lot to say about “In Whom We Trust.” It’s not the episode isn’t good, because it’s up the level of quality that Rubicon has been consistently meeting all season. It’s just that, like what I hit with Community last season, I’m running out of ways to say positive things.

However, as things begin to merge and the endgame somehow comes into focus, the big block in my notes, and what spurred on a conversation on Twitter, was how to classify Rubicon‘s narrative structure, especially given the dual-focus nature of the show. So, really, that’s what I’ll tackle below. If you follow me, Jeremy Mongeau and/or Dan Winclechter on Twitter, then you’ve seen some of this already. Read more »


The Vampire Diaries – “Bad Moon Rising”

Awesome Vampire Caroline

SPOILERS EVERYWHERE!  AVERT YOUR EYES!  DON’T EVEN LOOK AT THE PHOTO!

Last week I wrote that Caroline the vampire was pretty much the best thing ever. This week, however, as we are descending deeper into the rules about vampire transitioning, I am beginning to ask questions. This is a bad thing when dealing with a genre program. Suspension of disbelief works just fine until the program itself starts messing with the rules. Then, trouble starts.

Not that this episode did not offer a series of delights.  Damon, as always, was charming.  Learning that the Lockwood family might be werewolves, Damon called Mason and Tyler “Lon Chaney Sr. and Jr.” and himself “Bela Lugosi,” noting that based on his movie knowledge, “Lugosi, which is me, is totally screwed.”

My nagging questions follow after the jump.

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Mad Men – “Hands and Knees”

“You will not live in between.”

[portfolio_slideshow size=medium]

I don’t think I even know where to really start. There’s just so much.

While my favorite episode of the season is still “The Suitcase” (with “The Rejected” being a close second) a ton happened in this episode. Myles McNutt said he tried to keep his review as concise as possible by only focusing on Pete and Joan in this episode. Honestly, I don’t think I have he strength to be so restrained. I mean, I feel like this episode is just as much about the people who are in it as the one person who is noticeably, painfully, perplexingly absent.

But I’m going to try to not effuse too much.

From the title you can guess that there is a lot of begging in this episode: begging for life, begging for mercy, begging for discretion. This week is a scare for what Don has coming and he is not ready. The collapse of Don’s life is foreshadowed here, if for anything because he’s become more careless about his secret identity.

Yeah, I just linked to opening to the old Jerry O’Connell series My Secret Identity. If I have it stuck in my head, you should, too.

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Rubicon – “No Honesty in Men”

You can always count on a well-read man, hmm?

It’s getting delicious, isn’t it?

Because of how deftly the storytelling is executed (if you’re still complaining about the pace of the show, I think you’re watching it at half speed) and how the threads are starting to connect together (Katherine gets Spangler’s name and API, Will gets Tom’s name) it feels like we’re about to run up against the last two hours of the show, not the last four.

Yes, there’s only four episodes left of the first season of Rubicon. I am really excited. Read more »


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